Inside “What the Bleep Do We Know” - A Special Conscious Movie-of-the-Month Experience for June 2019

Our Conscious Movie-of-the-Month exploration for June 2019 is What the Bleep Do We Know (2004). This month we have a special treat for all us conscious media creators and fans, one of the filmmakers who worked on the film, our very own Betsy Chasse, will be joining us in our exploration along with some potential surprise guests from the production team, sharing some of their behind the scenes experiences and perspectives on the film with us both online during the month and in our virtual chat at the end of the month (date and time to be announced).

You are invited to watch What the Bleep Do We Know on your own and feel free to share your thoughts, reflections, musings and questions about the film in our group’s online discussion forum.

We chose What the Bleep Do We Know because it is considered by many to be a landmark work in the conscious media movement, being one of the very first movies about consciousness to penetrate the mass market. It was also groundbreaking in terms of visually capturing patterns of consciousness itself and creating what is now called the hybrid documentary style, integrating interviews with both compelling narrative and powerful visual storytelling.

This film was also created during the transition between analogue and digital filmmaking and was one of the first films to tap into the cultural creative field of consciousness. Because of this the film was traversing two major evolutionary convergence streams, technological and cultural, and is a great example of a work that was in synchronicity with the zeitgeist edge of the evolution of consciousness. We are blessed to have the opportunity to hear from the filmmakers themselves about what it was like to create a work at this leading edge, and while What the Bleep Do We Know is not an integral film, all of this makes it is a fascinating case study from an integral-evolutionary perspective.

Please join your hosts Trina Wyatt and Mark Allan Kaplan and our very special guests in this very special conscious movie adventure…

"The Matrix" and the Evolution of Consciousness

Or, taking the Red Pill and waking up to the coming of Winter: Reflections on meta-perspectival storytelling, The Matrix, Game of Thrones and our current global situation

According to my research into the potential co-evolution of the moving image, consciousness, culture and society, The Matrix (1999) helped to introduce a higher form of cinematic consciousness* into mainstream pop culture. The foundation of this higher form of cinematic consciousness could be called meta-perspectival storytelling.

Meta-perspectival storytelling refers to stories that unfold through both major and minor shifts in perspective that often reveal whole new ways of understanding and experiencing the storyworld unfolding before us. Think of the red-blue pill moment in The Matrix, or the self-as-ghost revelation at the end of The Sixth Sense (1999), the shifting realities of a television series like Lost (2004) or the progressive, reality-shaking awakening of characters to the true coming threat of winter in Game of Thrones (2011). All of these works use meta-perspectival storytelling to drive their stories and characters to greater levels of understanding and capacities.

This form of storytelling has been around for a while in various forms but not until the release of both The Matrix and The Sixth Sense in 1999, did this form penetrate the pop culture cinematic language in a big way. Since then, more and more cinematic works have been using this form of storytelling, creating deeper and more expansive works with layers and layers of perceptual realities that hide and reveal themselves over time, guiding us and the characters to greater levels of understanding and revelation. Meta-perspectival storytelling is born out of a specific stage of development and structure of consciousness, often referred to as Integral Consciousness. The key to this structure of consciousness is the drive to understand all dimensions and perspectives of our reality and integrate them into a meaningful whole, a "big picture" meta-perspective.

I find it beautifully symbolic that this month is the 20th anniversary of The Matrix (1999-2019), the film that helped birth this expansion of cinematic consciousness, and the start of the final season of Game of Thrones (2011-2019), the series that helped to evolve this form of storytelling to new levels of richness, depth and complexity for a global scale audience that more easily and deeply understands, embodies and enjoys this form of consciousness and storytelling.

I also find it rather haunting and inspiring to look at how this evolution of storytelling and viewer consciousness coincides with the ever deepening and expanding deconstruction of so many of our individual and collective mental, emotional and perspectival constructs within and around us. This deconstruction has culminated in the whirlwind of reality bubbles, fake news, propaganda networks and "alternate truth" in which we currently find ourselves. I have to wonder if all these meta-perspectival stories feeding our imaginations these last twenty years are an expression of our collective consciousness preparing us to make some big perspectival transition, helping more and more of us to wake up to the coming of our own global climate change and political, cultural and social regression winter, and to individually and collectively search for the red pill that will wake us all up in time.



*NOTE: Cinematic consciousness as I define it comes from my research into the relationship between the moving image, consciousness, culture and society. This research suggests that human beings project their structures of consciousness into their creative works. This in turn appears to create similar composite structures of consciousness embedded in these works. In a sense these embedded consciousness structures create a kind of cinematic consciousness that lives within the constructed cinematic reality of these moving images. And this cinematic consciousness in turn affects viewer consciousness.

Conscious Movie-of-the-Month - "The Matrix" - Live Call

Announcing the first Conscious Movie-of-the-Month live video call. This month we will be exploring this months movie The Matrix (1999).

At the end of the month, on Thursday April 25th at 7:00pm Pacific Time we will have a video conference call where Integral Cinema Project lead researcher, Mark Allan Kaplan, will share his reflections on the movie from a conscious, integral and transpersonal perspective and you will have the opportunity to share more of your personal reflections and ask any questions.

If you have not already joined our FREE Conscious Movie-of-the-Month Club, you can still join us anytime by signing up for a FREE membership at the Conscious Good Creators Network.

If you are already a member, you are invited to watch The Matrix on your own and feel free to share your thoughts, reflections and musings about the movie in our group's online discussion forum.

-----------------------------------------

From Host Mark Allan Kaplan...

The Matrix seems like a great movie for us to start with because this month is the 20th anniversary of the film's release and because it represents various different forms of what constitutes a conscious movie...

The viewing experience of The Matrix has given many viewers a consciousness raising experience, myself included. I vividly remember the first time I saw the film. I saw it opening week back when it was released in theaters in the Spring of 1999. It just blew me away and gave me a deep and profound altered state of consciousness. When the movie was over and I came out of the theater, everything seemed so much more real...the twinkling stars in the early evening sky, the subtle spring fragrances wafting through the air, the collective dance of the movie goers streaming in and out of the theater, and so much more...and at the same time I was contemplating deep questions about the nature of the reality I was seeing and the life I was living.

The Matrix was also consciously created to affect viewer consciousness. The Wachowski's studied Integral Theory before making the film and were attempting to apply the integral structure of consciousness to the narrative, visual, auditory and time-based expressive elements of the movie in order to elevate viewer consciousness.

The Matrix is also of major historical significance in that it introduced a more complex form of cinematic storytelling into pop movie culture, which has had an influence on collective consciousness by advancing the evolution of cinematic consciousness and helping to catalyze a shift in the co-evolution of cinematic consciousness and viewer consciousness.

Cinematic consciousness as I define it comes from my research into the relationship between the moving image, consciousness, culture and society. This research suggests that human beings project their structures of consciousness into their creative works. This in turn appears to create similar composite structures of consciousness embedded in these works. In a sense these embedded consciousness structures create a kind of cinematic consciousness that lives within the constructed cinematic reality of these moving images. And this cinematic consciousness in turn affects viewer consciousness.

I will be sharing more on the film during the month in our groups online forum and on our video conference call on the 25th. I will also be sharing with the group a Conscious Movie Viewing Practice for members to play with if they feel so moved to do so.

If you are interested in joining me on this adventure...it's time to login, take the Red Pill and see how deep the rabbit hole goes...

SIGN UP FOR FREE

Announcing the Conscious Movie-of-the-Month Club

A Monthly Exploration of Consciousness and the Movies

Conscious Good Creators Network presents the Conscious Movie-of-the-onth Club with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D., for anyone who wants to use media to raise individual and collective consciousness.

About the Club 

Join fellow conscious media creators and media enthusiasts each month for an in-depth look at conscious cinema with host and facilitator Mark Allan Kaplan, Ph.D. Together we will explore how consciousness is expressed in and through the movies, and how we can use movies to help us evolve our consciousness.

As a member of the club you will have access to the club’s online forum and the entire Conscious Good Creators Network. At the beginning of each month we will announce the movie of the month for us all to watch on our own and then explore together in the online discussion forum. On the last Thursday of the month we will have a video conference call where Mark will share his reflections on the movie from a conscious, integral and transpersonal perspective. Participants will also have the opportunity to share personal reflections, questions and musings.

As a member of the club you will also be invited to experiment with some of the conscious media viewing practices Mark has developed over the years. These can help you to deepen and expand the viewing experience and help you develop your own transformative media viewing practice if you so desire.

About the Host/Facilitator 

Mark Allan Kaplan, Ph.D. is an award-winning filmmaker, transdisciplinary artist, media psychologist and researcher, and the founder and executive director of the Integral Cinema Project. As an artist and media-maker Mark has been exploring conscious art and media since childhood, attempting to use these creative mediums to help himself transcend his own communication challenges of being a severe childhood stutterer. He uses his conscious art practices to find his "voice" and use that voice to help raise the consciousness of himself, others and the world. He is considered by many to be one of the pioneers in the conscious and transpersonal media movements and is the world's leading researcher and theorist in the application of Integral Theory to the cinematic arts.

For more on Mark visit: www.markallankaplan.com, and to learn about the Integral Cinema Project visit: www.integralcinema.com.

Details

• Dates/Times: 
• Movie of the month announcement, first of the month, starting April 1, 2019 
• Online discussions, ongoing 
• Video conference calls, 7pm PST, last Thursday of the month, starting April 25, 2019 
• Cost: Free (requires free membership to the network) 
• Host: Conscious Good Creators Network 

About Conscious Good Creators Network 

Conscious Good Creators Network is a community-driven media platform for visual storytellers dedicated to raising consciousness. Conscious Good launched the Creators’ Network as a place where conscious creators and audiences can connect. It’s a place to interact with fellow conscious media tribe members, share resources, ideas and support one another.

SIGN UP FOR THE NETWORK AND THE CLUB

Integral Game-Changer - Spider-Man: Into the Spider-verse (PODCAST)

Spider-Man: Into the Spider-verse (2018) is an Integral game-changer, a truly extraordinary film that transcends and includes the evolution of comics, anime and superhero films, and so many other domains, worlds, dimensions, perspectives and realities and integrates them into a wondrous, fun, classic yet Avant-garde, holistic, holonic, gestalt...integral masterpiece.

Join Integral Cinema Project lead researcher Mark Allan Kaplan, and associate researcher Jonathan Steigman for a quick and spoiler-free rave review podcast on YouTube at: https://youtu.be/V2iTkZWJhhQ or on Vimeo at: https://vimeo.com/308143096

"Integral Goes to the Movies" Slideshow

The slide show for the "Integral Goes to the Movies" presentation I gave for Bay Area Integral is now available for viewing and download... Topics include the embedding of structures of consciousness in the moving image; the co-evolution of the moving image, consciousness, culture and society; more fully understanding the power of the medium and how it can be used for transformative and evolutionary purposes; and what is Integral theory and what makes a movie "integral"

 

Integral Goes to the Movies from Mark Allan Kaplan

Integrally Unpacking Star Wars 1-7 (ICP and TEHNC Podcast)

What are the hidden patterns coursing through the "Star Wars" saga? Is J.J. Abrams' "The Force Awakens" just a PC remake of the original 1977 "Star Wars?" What is the best "Star Wars" film, anyway? 

To answer these questions Integral Cinema Project members Mark Allan Kaplan and Jonathan Steigman watched all 7 Star Wars films in their intended order and the experience surprised them both. From the prequel "poorly executed masterpieces" (1-3), to the seminal original Star Wars trilogy (4-6) and the recently-released first episode of the third trilogy, the Star Wars saga has shaped our culture and consciousness for nearly 40 years. Exploring the series through the lenses of Ring Theory and Integral Cinematic Analysis, Jonathan and Mark unpack new insights into George Lucas' monumental achievement.

Watch this joint ICP and TEHNC Podcast, Unpacking Star Wars 1-7 on the Integral Cinema Project YouTube Channel at: https://youtu.be/_pQ1oz2-ppY 

For a deeper dive into the application of Ring Structure to the "Star Wars" saga, check out Mike Klimo's excellent dissection at: http://www.StarWarsRingTheory.com

Information about the Integral Cinema Project: http://www.IntegralCinema.com

If you enjoyed this podcast, you may want to check out "Integral Goes to the Movies" Mark's mind-blowing exploration of the way structures of consciousness are embedded in the moving image. https://youtu.be/qPD1LsbvvpE

Integral Goes to the Movies on YouTube

Now featured on the Integral Cinema Project YouTube channel, Integral Goes to the Movies, a 90-minute presentation from Mark Allan Kaplan, Ph.D., the creator of Integral Cinema Project, in which he illuminates the structures of consciousness embedded both within various films and within the medium itself. This could change the way you look at film...and just about everything else.

Acclaimed filmmaker and Integral Cinema Project founder Mark Allan Kaplan, Ph.D. presents a mind-blowing new way to look at and think about the moving image in all its evolving forms. This March 16, 2016 talk for Bay Area Integral at the Rudramandir Center in Berkeley, CA has been turbocharged with dozens of visual aids and nearly 100 film clips to create a multi-dimensional visceral experience of the evolution of cinematic consciousness.

Video directed & edited by Jonathan Steigman
With Integral Cinematic Meta-Design by Mark Allan Kaplan
Special thanks to Bay Area Integral and the Bay Area Integral team

Announcing the Launch of the Integral Cinema Project YouTube Channel

Announcing the launch of the new Integral Cinema Project YouTube Channel where you can find original productions from the Integral Cinema Project along with educational playlists that help you explore the cinema from an integrally-informed perspective.

And COMING SOON...
The Integral Cinema Podcast Series...

The Archetypal Lens: A Presentation for an Integral Approach to Archetypes and Archetypes in the Cinematic Arts

The Archetypal Lens by Mark Allan Kaplan

“The Archetypal Lens” is a presentation exploring the preliminary application of an Integral approach to archetypes and archetypes in the cinematic arts. Presented at MetaIntegral Academy for the Advanced Meta‐Movieology Course on April 16, 2015. (DOI: 10.13140/RG.2.1.3885.0724).

The presentation is available at SlideShare.

New and Updated Integral Movie and TV List Now on IMDb

The Integral Movie and TV List has been updated and moved over to the Internet Movie Database (IMDb) at: http://www.imdb.com/list/ls074613980/.

On the list you will find all the currently tested movies and television series that have integrally-informed elements to varying degrees according to testing criteria developed during research on the application of Integral Theory to cinematic media theory and practice.

According to this research, a cinematic work is deemed to be integral if elements of the integral stage of development are represented in the cinematic form, style, structure, content, and/or are embedded in the material as a presence or atmosphere. These representations of the elements of the integral stage of development can include: The exploration and integration of multiple evolving dimensions and perspectives of lesser and greater depth and span; the concretion of abstract and interior dimensions and perspectives, such as time and interiority, in the service of evolutionary growth and development; an evolutionary story, event, and/or character progression that is given greater than or equal emphasis to conflict resolution, with progression developing vertically through at least three stages or levels of development; the evolutionary impulse as a driving force or causality pattern; the valuing of truth that is qualified by evolving perspectival fields; and/or a Kosmo-centric circle of care and concern that suggests an awareness, integration, and embracing of all of existence.

Recent updates to the list include the following titles:

Movies New to the List:

About Time (2013) - An integrally-informed Kosmic love story about a time-traveler who attempts to use time to fix mistakes and problems in his everyday life, love life, and in the lives of those around him and ends up evolving himself and others in ways beyond measure.

Edge of Tomorrow (2014) - A viscerally-charged temporality-loop-based evolutionary science fiction journey about a soldier stuck on repeat going through the same battle over and over, forcing him to develop as a warrior and evolve from an egocentric to Kosmo-centric human being and ultimately find a Kosmic love.

Frequencies (2013) - Strange, wondrous and intimate integral-evolutionary parallel-present-reality science fiction film exploring free will, fate, attraction, and the Kosmic power of the frequencies of being and becoming.

Her (2013) - A beautiful, subtle, and imaginative integrally-informed exploration of the co-evolution of humanity and technology and the evolution of artificial intelligence toward a Kosmo-centric reality.

Interstellar (2014) - The beautiful and groundbreaking integrally-informed science fiction space epic that attempts to both accurately capture the real physics of outer space and concretize the non-physical dimension of love as a Kosmic level force of existence.

Lucy (2014) - Hip and pulp-styled integrally-informed parallel-present-reality science fiction action flick whose female lead goes on a wild drug-induced physical, emotional, perspectival, and ultimately Kosmic evolutionary ride to the further reaches of being and becoming.

Man Facing Southeast (1986) - A mysterious, magical, Christ-like, integral-esque and perhaps "alien" patient in an insane asylum acts as the evolutionary catalyst for the residing psychologist and all the other lives he touches.

Oblivion (2013) - A haunting and layered science fiction exploration of the evolution of awareness and consciousness within and beyond the traditional corporal forms of humanity.

TV Series New to the List:

Awake (2012 TV Series) - An imaginative short-lived TV series that attempts to use temporal and spatial shifts in reality in the service of the main characters evolution toward a Kosmo-centric level of being.

Battlestar Galactica (2004 TV Series) - Epic integral-evolutionary space saga that takes us on a developmental journey that slowly becomes deeper, richer and more complex and ultimately evolves into a profoundly transformative time, space and mind-bending adventure where villains evolve into heroes, pasts become the future and the future become past.

Da Vinci's Demons (2013 TV Series) - A fun, imaginative, and deep reimagining of the life and times of Leonardo Da Vinci portraying him as an integrally-informed genius way ahead of his time.

Heroes (2006 TV Series) - A wild, superhero-esque integral-evolutionary exploration of the struggle between humanities higher and darker potentials. While network pressures caused the creators of this show to veer off their intended course, the integral-evolutionary foundation of the work is still present through to the end.

Sense8 (2015 TV Series) - "Sense8" is a beautiful, brilliant, and groundbreaking integrally-informed dramatic series that attempts to capture and help us vicariously and viscerally experience the tetra-enmeshment of all four dimension-perspectives of our individual and collective interior and exterior world, as its characters and we the viewer experience the dissolving of the boundaries between individual subjective reality, collective relational reality, individual objective reality, and collective environmental reality.

Touch (2012 TV Series) - A beautiful short-lived TV series about the interconnectedness of all things and an integrally-informed level gifted child who perceives and acts from this complex web of connection and profoundly effects those around him and the fabric of reality itself.

VISIT THE IMDb INTEGRAL MOVIE AND TV LIST

More movies and TV series are added to the list as more are tested so check back periodically to keep abreast of the research.

For more on the application of Integral Theory to the cinematic arts visit the Integral Cinema Project at: www.integralcinema.com.

Integral Cinematic Arts Reading List

An Integral Cinematic Arts Reading List is now available at Amazon.

The Reading List includes a list of books recommended for anyone interested in exploring the cinematic arts from an Integral, evolutionary or transformative media perspective. These works are arranged starting with more direct integrally-informed works, followed by works that explore various dimensions of the cinematic process from a integrated or hybrid theory-practice perspective, and finally some foundational theoretical works.

The Integral Cinematic Art Reading List is available at:
http://www.amazon.com/lm/R2VYDG4SKQYJYJ/ref=cm_lm_pthnk_view?ie=UTF8&lm_bb=

Additional resources can be found at the Integral Cinema Project Resources Page at:
http://www.integralcinema.com/resources/index.htm.
Resources listed here include various integral cinematic arts related articles, papers, books, presentations, audiovisual media, and online resources.

Introduction to Meta-Movieology Course Back by Popular Demand

MetaIntegral Academy is excited to once again offer the wonderful and ground-breaking 8-week course in Meta-Movieology created and facilitated by Mark Allan Kaplan beginning on September 4, 2014. Mark is widely recognized as "the preeminent theorist and practitioner of integral cinema" so you are in for a real treat. If you are a movie enthusiast and into integral and evolutionary approaches to personal growth and development, this course is for you!

Register Today...

Meta-Movieology I

An 8-Week Course in Using Movies to More Deeply Understand and Fully Embody an Integral and Evolutionary Perspective

PUT DOWN THE BOOKS, PICK UP THE POPCORN 
AND ENTER THE WORLD OF EVOLUTIONARY ENLIGHTENTAINMENT

From: September 4, 2014 (Thursday) at 12:00am PDT
To: November 9, 2014 (Sunday) at 12:00am PDT

What Is It?
Meta-Movieology is a groundbreaking meta-approach to learning Integral Theory through a transformative moving image viewing practice. In this course you will develop a deeper and more visceral understanding of the basic elements of the Integral approach by using the aesthetic and multisensory power of the moving image for embodied learning and evolutionary growth.

Location:
This event takes place online.

DETAILS:

The moving image in all its evolving forms has a unique capacity for affecting multiple aspects of our being. Movies can make us think and feel deeply; they can give us new perspectives on self, other and world; they can immerse us in other worlds and give us rich and deep embodied experiences. In fact, recent research has revealed that immersive and virtual moving image experiences can actually produce the same neurological and biological responses in our brains and bodies as actual lived experiences.

Over the last several years Mark Allan Kaplan has discovered a profound and fun approach to using the power of movies to help us see, feel, and viscerally experience the integral and evolutionary perspective. This approach includes special viewing practices to help us experientially observe Integral frameworks within any moving image work and extend the profound theoretical concepts and perspectives of the Integral-evolutionary approach from the mind into our emotional and energetic bodies. These experiential perspective-taking exercises help us make the abstract concrete and make it easier for us to extend these perspectives into our everyday lives.

This course is for anyone interested in Integral Theory, for those interested in the transformative power of the moving image, and for anyone who loves movies and is interested in their own personal growth and development. For those unfamiliar with Integral Theory it will offer a simple, powerful, and intuitive way into the integral-evolutionary perspective.  For those already familiar with the Integral model, this is a wonderful opportunity to revisit and viscerally deepen your understanding of integral theory and see and feel how it can be applied to just about any interest, activity, or pursuit that you may have. For those who are interested in their own personal growth and development and love movies, either as a viewer or creator, this work will give you a deeper appreciation and understanding for the medium, along with a greater capacity to use it for healing and growth of self, other and world.

Join Mark for this introductory course, which explores how the six basic Integrally-informed lenses of holons, quadrants, levels, lines, states and types can be utilized as powerful transformational practices for using any moving image work, from movies to video games, for your own evolutionary growth and development. This course will be taught through 8 weekly 2-hour conference calls (recordings for the calls will be posted for participants who are not able to join a call). The first week you will be introduced to Meta-Movieology in general. Each of the subsequent 6 weeks will be devoted to a single Meta-Movieology lens and practice. The final week will be a reflection and wrap up week. Each week Mark will assign practices for you to do that week using that week’s lens. There will also be weekly readings and movie viewing assignments, along with online threaded discussions to connect with fellow participants and deepen your understanding of this work. Don’t miss this exciting opportunity – Integral Theory and the movies will never look or feel the same.

Dates: 8 weeks: Aug. 31st – Sept. 21st; Sept. 28th – Oct. 12th; and Oct.19th – Nov. 9th

Cost: $345.00 USD plus $12.50 handling fee (includes a free download of the Meta-Movieology meditation video “The Pond”)

Number of Participants: Up to 20

Instructor: Mark Allan Kaplan, Ph.D.

Weekly Conference Calls:  Thursdays 1-3pm Pacific Time

September 4 – Week 1: Introduction
September 11 – Week 2: The HOLONIC Sense
September 18  – Week 3: I Heart QUADRANTS
October 2 – Week 4: LEVELS of a Groundhog's Day
October 9 – Week 5: The Imaginarium of Developmental LINES
October 23 – Week 6: Altered STATES
October 30 – Week 7: TYPOLOGY Code
November 6 – Week 8: Conclusion

Note there is no call on September 25th or October 16th.

Weekly Movie Viewing Assignments:*

Week 2: "The Sixth Sense" (1999)
Week 3: "I Heart Huckabees" (2004)
Week 4: "Groundhog Day" (1993)
Week 5: "The Imaginarium of Doctor Parnassus" (2009)
Week 6: "Altered States" (1980)
Week 7: "Source Code" (2011)

*Participants will be required to either rent or buy the movies listed as Weekly Movie Viewing Assignments. All other materials will be supplied by the instructor.

COURSE TESTIMONIALS

"I was surprised at how deep the Meta-Movieology practice goes. After completing the course, I have a richer experience with films, which has cascaded into other areas of my life."
– Heather, San Carlos, CA

"I can't say enough good things about the Meta-Movieology course. It was delightful and profound. This course enabled me to see integral concepts in movies that I had not recognized before and that's saying a lot because I have followed Ken Wilber since his first publications." 
– Dennis, Silver Springs, MD

"Mark is a great teacher! I am out of my league as far as my experience with integral is concerned, yet the materials, movies and weekly discussions in this course met me right where I was at. I found the meditations mind blowing and key to the shifts I am experiencing in my expanding awareness. I feel so fortunate to have stumbled on this opportunity."
– Anne, Charlotte, NC

"The Meta-Movieology course is at the theoretical, practical, and pedagogical cutting-edge of integral and evolutionary film theory and practice – it is a sophisticated training in how to experience film, and therein how to deepen one’s experience of the world within and around us. While being theoretically advanced, this course is taught in a manner that anyone, beginner or advanced practitioner, can readily get and do so with transformative results. I very highly recommend this course of study."
– Michael, Augusta, GA

PRESENTERS

Mark Allan Kaplan, Ph.D. is an independent award-winning filmmaker and the pre-eminent theorist and practitioner of the application of Integral Theory to the cinematic arts.  Mark has a B.A. in Motion Picture and Television Production from the University of Southern California School of Cinematic Arts, an M.F.A. in Motion Picture Directing from the American Film Institute, M.A. and Ph.D. degrees in Psychology from the Institute of Transpersonal Psychology, and a Certificate in Integral Studies from Fielding Graduate University. He has worked professionally in the entertainment industry as a producer, writer, director, editor, researcher, and consultant. Mark’s creative works have been shown on television, in theaters, schools, and colleges, and at film festivals and expositions around the world. He has also conducted seminal research in Integral, transpersonal, transformative, and transdisciplinary approaches to film, video, and multimedia at Interval Research Corporation, the University of Chicago, the University of Illinois at Chicago, and as founder and lead researcher of the Integral Cinema Project, an independent research, production, and educational initiative sponsored by the San Francisco Film Society. Mark received Integral Institute's 2008 Integral Life Award in recognition of his continuing groundbreaking research into the application of Integral Theory to cinematic media theory and practice.

“Mark’s work is the first mature application of Integral Theory to any domain of art.” 
– Sean Esbjörn-Hargens, Ph.D. (Founding CEO of MetaIntegral)

“Mark is the pre-eminent theorist and practitioner of integral cinema and his work represents one of the most advanced and profound meta-theory’s of art and media to date.” 
– Michael Schwartz, Ph.D. (Professor of History and Philosophy of Art, Georgia Regents University)

“Mark’s passionate quest to explore the further reaches of film and media theory and practice is inspiring and holds great promise.”
– Jean Picker Firstenberg (President Emeritus, American Film Institute)

Click here to register - join Mark and other integralists, evolutionaries, and movie enthusiasts in this enlightening and entertaining course!

Introduction to Meta-Movieology

The word “movieology” is traditionally defined as the study of the movies. Meta means “beyond” or “greater than” and Meta-Movieology refers to an approach that goes beyond the mere study of movies to a practice of using the viewing of moving images in all their evolving forms for personal growth, transformation, and evolutionary development.

 Meta-Movieology practice is effective because of the moving image’s unique capacity for affecting multiple aspects of our being. Movies can make us think and feel deeply; they can give us new perspectives on self, other and world; they can immerse us in other worlds and give us rich and deep embodied experiences. In fact, recent research has revealed that immersive and virtual moving image experiences can actually produce the same neurological and biological responses in our brains and bodies as actual lived experiences.

Another factor that makes the movie image a potential tool for transformation is the complex connection and communication between creator, moving image work, viewer, and world. Since all human-made works are the partial product of the human imagination, the imaginary is embedded in all human-made artifacts including and especially, the moving image (2005a). Because humans imagine through imagery (mental images, dream imagery, etc.), and the moving has the unique capacity to concretize or reify imaginary dimensions, in a sense doubling the inner image with an outer image, the moving image is inextricably and uniquely bound with the human imagination. This produces a complex symbiotic-metamorphic web of interaction between the inner images of cinematic creators and viewers and the outer cinematic form, which makes the moving image a potential catalyst for individual and collective evolutionary growth and development (Kaplan, 2013; Morin, 2005a; 2005b).

By means of the [moving image] machine, in their own likeness, our dreams are projected and objectified. They are industrially fabricated, collectively shared. They come back upon our waking life to mold it, to teach us how to live or not to live. We reabsorb them, socialized, useful, or else they lose themselves in us, we lose ourselves in them. There they are stored ectoplasms, astral bodies that feed off our persons and feed us, archives of soul. – Edgar Morin, 2005a, p.218

I have developed the Meta-Movieology practice over the last several years during my research into the application of Integral Theory to cinematic theory and practice. During these explorations I discovered this profound and fun approach to using the power of movies to help us see, feel, and viscerally experience the integral and evolutionary perspective to produce personal transformation and growth. This approach includes special viewing practices to help us experientially observe Integral and evolutionary frameworks within any moving image work and extend the profound theoretical concepts and perspectives of the Integral-evolutionary approach from the mind into our emotional and energetic bodies. These experiential perspective-taking exercises help us make the abstract concrete and make it easier for us to extend these perspectives into our everyday lives.

I discovered that this practice is not just for those of us who watch movies, but for media makers as well. While it is true that you cannot teach someone to have talent, but beyond mastering the craft of media making, I believe that through this practice we can develop the structures of consciousness that are common to all creative masters, and that is the capacity to see multiple aspects of reality with a deeper and more expansive view.

On this coming Thursday, May 15th, 2014, I will be teaching an introductory course in this practice sponsored by MetaIntegral Academy. In this course we will be exploring the basic practices related to the Integral framework elements of HOLONS, QUADRANTS, LEVELS, LINES, STATES and TYPES. In the follow-up advanced course we will explore the advanced Integral perceptual frameworks of ZONES, ALTITUDES, ENERGIES, METHODS, COMPLEXITY, and ARCHETYPES.

You can find out more and sign up for the introductory course at: www.metamovieology.com

References

Kaplan, M. A. (2013). Integral cinematic analysis: Mapping the multiple dimensions of the cinema and the co-evolution of cinema, consciousness, culture, and society. Journal of Integral Theory and Practice, 8(3&4), 255-276. Available at: https://foundation.metaintegral.org/products/integral-cinematic-analysis

Morin, E. (2005a). The cinema, or the imaginary in man. Minneapolis, MN: University of Minnesota Press.

Morin, E. (2005b). The stars. Minneapolis, MN: University of Minnesota Press

A Course in Meta-Movieology

MetaIntegral Academy is excited to offer you a new 8-week course created and facilitated by Mark Allan Kaplan. It's called Meta-Movieology and it starts next month. If you are a movie enthusiast and into integral and evolutionary approaches to personal growth and development, this course is for you!

Register today.

Meta-Movieology I

An 8-Week Course in Using Movies to More Deeply Understand and Fully Embody an Integral and Evolutionary Perspective

PUT DOWN THE BOOKS, PICK UP THE POPCORN 
AND ENTER THE WORLD OF EVOLUTIONARY ENLIGHTENTAINMENT

From: May 15, 2014 (Thursday)
To: July 6, 2014 (Sunday)


What Is It?
Meta-Movieology is a groundbreaking meta-approach to learning Integral Theory through a transformative moving image viewing practice. In this course you will develop a deeper and more visceral understanding of the basic elements of the Integral approach by using the aesthetic and multisensory power of the moving image for embodied learning and evolutionary growth.

Location:
This event takes place online.

DETAILS:

The moving image in all its evolving forms has a unique capacity for affecting multiple aspects of our being. Movies can make us think and feel deeply; they can give us new perspectives on self, other and world; they can immerse us in other worlds and give us rich and deep embodied experiences. In fact, recent research has revealed that immersive and virtual moving image experiences can actually produce the same neurological and biological responses in our brains and bodies as actual lived experiences.

Over the last several years Mark Allan Kaplan has discovered a profound and fun approach to using the power of movies to help us see, feel, and viscerally experience the integral and evolutionary perspective. This approach includes special viewing practices to help us experientially observe Integral frameworks within any moving image work and extend the profound theoretical concepts and perspectives of the Integral-evolutionary approach from the mind into our emotional and energetic bodies. These experiential perspective-taking exercises help us make the abstract concrete and make it easier for us to extend these perspectives into our everyday lives.

This course is for anyone interested in Integral Theory, for those interested in the transformative power of the moving image, and for anyone who loves movies and is interested in their own personal growth and development. For those unfamiliar with Integral Theory it will offer a simple, powerful, and intuitive way into the integral-evolutionary perspective.  For those already familiar with the Integral model, this is a wonderful opportunity to revisit and viscerally deepen your understanding of integral theory and see and feel how it can be applied to just about any interest, activity, or pursuit that you may have. For those who are interested in their own personal growth and development and love movies, either as a viewer or creator, this work will give you a deeper appreciation and understanding for the medium, along with a greater capacity to use it for healing and growth of self, other and world.

Join Mark for this introductory course, which explores how the six basic Integrally-informed lenses of holons, quadrants, levels, lines, states and types can be utilized as powerful transformational practices for using any moving image work, from movies to video games, for your own evolutionary growth and development. This course will be taught through 8 weekly 2-hour conference calls (recordings for the calls will be posted for participants who are not able to join a call). The first week you will be introduced to Meta-Movieology in general. Each of the subsequent 6 weeks will be devoted to a single Meta-Movieology lens and practice. The final week will be a reflection and wrap up week. Each week Mark will assign practices for you to do that week using that week’s lens. There will also be weekly readings and movie viewing assignments, along with online threaded discussions to connect with fellow participants and deepen your understanding of this work. Don’t miss this exciting opportunity – Integral Theory and the movies will never look or feel the same.

Dates: 8 weeks: May 15th – July 6th

Cost: $345.00 USD plus $12.50 handling fee (includes a free download of the Meta-Movieology meditation video “The Pond”)

Number of Participants: Up to 20

Instructor: Mark Allan Kaplan, Ph.D.

Weekly Conference Calls:  Thursdays 1-3pm Pacific Time

May 15 – Week 1: Introduction
May 22 – Week 2: The HOLONIC Sense
May 29 – Week 3: I Heart QUADRANTS
June 5 – Week 4: LEVELS of a Groundhog's Day
June 12 – Week 5: The Imaginarium of Developmental LINES
June 19 – Week 6: Altered STATES
June 26 – Week 7: TYPOLOGY Code
July 3 – Week 8: Conclusion

Weekly Movie Viewing Assignments:*

Week 2: "The Sixth Sense" (1999)
Week 3: "I Heart Huckabees" (2004)
Week 4: "Groundhog Day" (1993)
Week 5: "The Imaginarium of Doctor Parnassus" (2009)
Week 6: "Altered States" (1980)
Week 7: "Source Code" (2011)

*Participants will be required to either rent or buy the movies listed as Weekly Movie Viewing Assignments. All other materials will be supplied by the instructor.

PRESENTERS

Mark Allan Kaplan, Ph.D. is an independent award-winning filmmaker and the pre-eminent theorist and practitioner of the application of Integral Theory to the cinematic arts.  Mark has a B.A. in Motion Picture and Television Production from the University of Southern California School of Cinematic Arts, an M.F.A. in Motion Picture Directing from the American Film Institute, M.A. and Ph.D. degrees in Psychology from the Institute of Transpersonal Psychology, and a Certificate in Integral Studies from Fielding Graduate University. He has worked professionally in the entertainment industry as a producer, writer, director, editor, researcher, and consultant. Mark’s creative works have been shown on television, in theaters, schools, and colleges, and at film festivals and expositions around the world. He has also conducted seminal research in Integral, transpersonal, transformative, and transdisciplinary approaches to film, video, and multimedia at Interval Research Corporation, the University of Chicago, the University of Illinois at Chicago, and as founder and lead researcher of the Integral Cinema Project, an independent research, production, and educational initiative sponsored by the San Francisco Film Society. Mark received Integral Institute's 2008 Integral Life Award in recognition of his continuing groundbreaking research into the application of Integral Theory to cinematic media theory and practice.

“Mark’s work is the first mature application of Integral Theory to any domain of art.” 
– Sean Esbjörn-Hargens, Ph.D. (Founding CEO of MetaIntegral)

“Mark is the pre-eminent theorist and practitioner of integral cinema and his work represents one of the most advanced and profound meta-theory’s of art and media to date.” 
– Michael Schwartz, Ph.D. (Professor of History and Philosophy of Art, Georgia Regents University)

“Mark’s passionate quest to explore the further reaches of film and media theory and practice is inspiring and holds great promise.”
– Jean Picker Firstenberg (President Emeritus, American Film Institute)

Click here to register - join Mark and other integralists, evolutionaries, and movie enthusiasts in this enlightening and entertaining course!

Edgar Morin on the Cinema's Effects on the Individual and Collective

The complex connection and communication between creator, cinematic work, viewer, and world is deeply explored by Edgar Morin, whose complexity approach to the cinematic medium holds the potential for offering us a way to more fully analyze and understand this complex interconnectedness.

"By means of the cinema, in their own likeness, our dreams are projected and objectified. They are industrially fabricated, collectively shared. They come back upon our waking life to mold it, to teach us how to live or not to live. We reabsorb them, socialized, useful, or else they lose themselves in us, we lose ourselves in them. There they are stored ectoplasms, astral bodies that feed off our persons and feed us, archives of soul." - Edgar Morin (in The Cinema, or the Imaginary in Man)

"Voice in Exile" DVD Release - Now Available at Amazon.com

The DVD of "Voice in Exile," my dramatic AFI film about a young stutterer, is now available for purchase from Amazon at: http://www.amazon.com/Voice-Exile-Ben-Bottoms/dp/B00BJC8J9C/

About the Film and the Process of Creating it...

Voice in Exile is a dramatic transformative film journey into the mind and emotions of Alan Woodward, a seventeen year old stutterer. Seeing the world, both imagined and real, through Alan's eyes, we share the nightmare that haunts him and his family as he struggles to not let his stuttering stop him from living.

My goal as a filmmaker was to capture the inner and outer world of the stutterer through dramatic, symbolic, archetypal, and audiovisual expression. This was a deeply personal journey for me since I have been a stutterer for most of my life.

The process began with the writing of the script. During the scriptwriting phase I delved into my own experiences and emotions as a stutter and tried to translate them into a dramatic story. I also interviewed other stutterers for additional research. The script was further developed while I worked with my cinematographer and production designer to translate the experiential reality of the stutterer into a visceral audiovisual language.

An audiovisual score was created for the film to explore the use of the expressive elements of space, shape, line, light, color, tone, rhythm, movement, orientation, time, contrast/affinity, sign, symbol and archetype in the capturing of the emotional and perceptual states of an individual who stutters. This score was developed from the my own personal story and experiences, along with the stories and experiences of other stutterer's. The screenplay and storyboards were created concurrently with the visual score, enabling the integration of the visual design throughout the piece. The visual score included divisions for subjective and objective perceptions of waking reality (SPR/OPR); subjective dream states (SDS); and subjective developmental transitions (SDT).

Throughout this process and the rest of preproduction, production, and postproduction, a profound inner battle waged within me. Part of me desired to share these inner experiences with others, while another part of me was terrified of revealing this deeply personal emotional reality.

This personally transformative filmmaking experience also appeared to have a transformative effect on viewers of the film as well. A majority of stutterer's reported feeling as though the film captured their inner lives. This produced emotional release, a reduction in feelings of isolation, and an increase in self-esteem in numerous cases. There was one reported case of the film averting an individual’s attempt at suicide. Families of stutterer's who viewed the material reported an increase in understanding and empathy for the family member who stuttered. Non-stutterer's reported an increase in understanding about stuttering and empathy for people who stutter.

"Voice in Exile" also won numerous awards including the Golden Gate Award at the San Francisco International Film Festival and the Silver Medal at the Chicago International Film Festival, and was aired on Cinemax/HBO and A&E Cable Networks.


More Information About "Voice in Exile" is available at voiceinexile.com.

What is Integral Cinema (Part 1)

In my research into the application of Integral Theory for cinematic media theory and practice, I am continually asking and being asked the question "What is Integral Cinema?" We can start to answer this question by going back to the person who first used this term, French avant-garde filmmaker Germaine Dulac, in the 1920s and 30s. Dulac was a pioneer in both experimental and feminist cinema and used the term "Integral Cinema" to describe her emerging experimental approach. Integral Cinema as defined by Dulac are cinematic works that use the inherent language of the cinema to capture and express the interior and exterior life of both the individual and the collective. Or put another way, a moving image work that uses the cinema's unique textual, auditory, visual, and temporal (accumulated meaning patterns over the duration of the work) expressive elements to explore and integrate the internal life and external world of the individual and collective.

A recent example of this type of work is The Matrix Trilogy (1999-2003), with the matrix representing the interior life of the individual and collective, and the outside, waking human and machine worlds as the external world of the individual and the collective. You can also see Germaine Dulac's classic Integral cinematic work The Seashell and the Clergyman (1928) in its entirely for free online at: http://www.ubu.com/film/dulac_coquille.html (the above image is from this film).

With further inquiry I discovered that this definition just scratches the surface of answering the question, What is Integral Cinema?...and in upcoming posts I will flesh flesh out the more complete answer to this question...

Integral Cinema Studio Dialogue with Ken Wilber (Part 3 & 4)

Announcing the Online Publication of Part 3 and 4 of 

INTEGRAL CINEMA STUDIO: 

A COMPREHENSIVE GUIDE TO THE CINEMA EXPERIENCE 

An Audio Dialogue Between Ken Wilber and Mark Allan Kaplan 

Exploring the Application of Integral Theory to 

Cinematic Media Theory and Practice.

For over a year now, Integral Cinema Project Lead Researcher Mark Allan Kaplan has been producing a groundbreaking monthly article series at Integral Life: the much-acclaimed Integral Cinema Studio. In this remarkable exploration, Mark walks us through all of the main elements of Integral theory—using some of our favorite movies to illustrate the basics of the Integral approach, while noting how each of these elements has shaped the cinema experience since the invention of film itself. Not only does this series offer a wealth of perspective and insight to film, filmmakers, and audiences alike, but it also brings more color, more sound, and more awesome explosions to Integral thought and practice! Listen as Mark and Ken Wilber take an in-depth look at one of Integral Life's longest-running series, Integral Cinema Studio.

This dialogue serves as a wonderful introduction to the major elements of integral theory. For those already familiar with the Integral model, this is a nice opportunity to both revisit your understanding of integral theory and to see how it can be applied to just about any interest, activity, or pursuit that you may have.

Either way, Integral Cinema Studio is a terrific way to deepen and enrich your own experience of film, simply by recognizing some of the deeper patterns and perspectives running through your favorite movies that you may not have recognized before. All of the elements of the Integral model are present in our awareness right now; Integral theory simply points to all the various aspects and dimensions that shape our experience of this present moment. It's therefore no surprise that we can see all of these elements reflected in various characters, conflicts, and stories throughout the history of film. Of course, whether the film-makers themselves actually intended this, or just intuited it, is another question—and to some degree inconsequential to the beauty and profundity we experience when these ideas and perspectives come to life on the big screen.

What's more, this discussion and blog series promises to inspire a whole new generation of writers and filmmakers. It's not just how you express these perspectives, ideas, and insights—Integral Art does not require you to represent all quadrants, all levels, all lines, all states, etc. in your work (though all of these elements are implicitly present in every piece of art). Rather, it's about whether you are able to account for all of these in your own awareness, thereby allowing you to draw from a far richer, more colorful, and more comprehensive pallet of human experience.

So grab a snack from the concession stand, turn off your phone, and enjoy this groundbreaking discussion between Mark Allan Kaplan and Ken Wilber!

Introduction Written by Corey W. deVos

Available at: http://integrallife.com/ken-wilber-dialogues/integral-cinema-studio-comprehensive-guide-cinema-experience

Integral Cinema Set and Setting Viewing Practice

During my research into the application of Integral Theory for cinematic media theory and practice I have been developing and experimenting with potential integrally-informed viewing practices. One practice that appears to be significantly effective for establishing an integrally-informed viewing set and setting is to do a quick check-in of dimension-perspectives while sitting in the theater, or any in any viewing space, waiting for the cinematic work to start…

Integral Cinema Set and Setting Viewing Practice:

• With eyes open or closed and sitting in a comfortable position,  bring your awareness to your I-space or your inner-beingness or self-ness, feeling what it feels like to be an "I"; 
• Then try to sense the WE-space between yourself and the other audience members (or if alone, you can imagine others who have or who are currently viewing the same cinematic work); 
• Then bring your awareness to the IT-space or the physical reality around you, the chair or other surface you are sitting in, the floor beneath your feet, the screen in front of you, etc.; 
• Then try to sense the ITS-space or the environment around you, the atmosphere of the theater or room as a whole, the air in the space, the auditory resonance of the space, etc. 
• Next, bring your awareness to your physical body; 
• Then try to sense your energy body, the subtle energetic field within and around you; 
• Then bring your awareness to your emotional body, the subtle emotional field radiating within you; 
• Then your mental body, the causal field that contains your thoughts and mental images; 
• Then your witness body, imagining the ability to witness yourself from the outside of your physical, energetic, emotional and mental beingness; 
• Finally try to get a sense of non-dual beingness, that part of you that is part of all that is. 

With practice this process can be performed within a couple of minutes and has the potential to help you enter an inner-viewing-space that is open, lucid and aware of multiple domains.

*This practice is adapted from Integral Life Practice.